Pacific Rim (Guillermo
del Torro, 2013):
Bold writing (very masculine) choice of font reflects the
genre of the film. There are some close-ups which create enigma. There are a
lot of close-ups on the CGI, and the colours are very dramatic and intense
(red, gold and black). We are dealing with metallic surfaces. They use very
high contrast in lighting to exaggerate each close-up. There is a lot of
emphasis on hard surfaces, which creates again, a masculine feel. We just get
glimpses of parts of a robot/machine so audience trying to figure out the
enigma. There are many shots of eyes and profiles of masks making it very
intimidating. Everything about this opening sequence places us in this ‘world
of robots’. It is very crowded, and the music fits the slow, long shots.
The Day after Tomorrow
(Roland
Emerick, 2004):
There is a very long tracking/aerial shot over the frozen
wastes Antarctic which suggests a sense of adventure and majesty. The shot is
long because the director wants to make it look like the audience are on a
plane and are traveling to this very hostile and magnificent environment. The titles all come up at the beginning within
the first 3 minutes, and they all appear to be reflected onto the water which
creates vertigo and makes you feel like if you fell, you would fall very far
down into the water. It’s a very dangerous place to be, the CGI is very
realistic which makes us think that we are taking place in this adventure. All
the colours used are dark blues and whites which are very dramatic. All of these things are creating the feel of
the ore and magnificence; the building up creates the glory. The shift between
the opening tracking shot and the live action is marked by the text ‘
Larsen B Ice Shelf, Antarctica’.
Spooks:
In this secret spy film, the live action comes before the title sequence, so we had the build-up of what the episode was going to be; we see a conversation between the head of MI5 and his boss on the phone and how he hasn’t kept ‘the secret’ (sugar horse) which the audience doesn’t know in turn causing enigma. We have cross cutting between the two people which makes the conversation seem like it’s going faster because Harry knows he hasn’t kept the secret and that he is doomed. The titles all move very fast which creates a sense of urgency, and there is a lot of split cuts. There are a lot of double screen like things are happening simultaneously. The graphics look very computer-like, and most of the names coming up on the title sequence look like code names, which fits perfectly with the genre of the film.